Telephone (Lied)
| {{#if:Telephone|Telephone|{{#invoke:WLink|getArticleBase}}}} | ||||||
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| {{#if: Telephone Logo.png | {{#ifexist:Media:Telephone Logo.png | }} | ||||||
| {{#if: Stefani Germanotta, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin, Beyoncé Knowles.|{{#if: Lady Gaga feat. Beyoncé|Lady Gaga feat. Beyoncé }}|{{#if: |{{#if: Lady Gaga feat. Beyoncé|Lady Gaga feat. Beyoncé }}|{{#if: Lady Gaga feat. Beyoncé|Lady Gaga feat. Beyoncé }} }} }}{{#ifexpr:({{#invoke:Str|find|Lady Gaga feat. Beyoncé|Datei}}{{#invoke:Str|find|Lady Gaga feat. Beyoncé|File}}{{#invoke:Str|find|Lady Gaga feat. Beyoncé|Bild}}>-3)|}} | ||||||
| Veröffentlichung | 26. Januar 2010
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| Länge | 3:41
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| ! | ! Genre(s) | Elektropop, Dance-Pop
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Autor(en) |
Stefani Germanotta, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin, Beyoncé Knowles. |
! Autor(en) | Stefani Germanotta, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin, Beyoncé Knowles.
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| Label | {{{Label}}}
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| Auszeichnung(en) | VMA Award (2010)
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| Album | The Fame Monster
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{{#ifeq: 0 | 0 | {{#if: {{#invoke:Wikidata|pageId}} | | }} }}{{#if:Stefani Germanotta, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin, Beyoncé Knowles.
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}} Telephone ist ein Dance-Pop-Lied der US-amerikanischen Sängerin Lady Gaga. Der Song ist die zweite Singleauskopplung aus ihrem zweiten Studioalbum The Fame Monster. Den Song nahm Lady Gaga mit der amerikanischen R&B-Sängerin Beyoncé Knowles auf.
Hintergrund
Lady Gaga schrieb Telephone mit Rodney Jerkins ursprünglich für Britney Spears. Als deren Label das Lied ablehnte, nahm sie das Lied selbst mit Beyoncé Knowles für The Fame Monster auf.<ref>{{#if: | [[{{{authorlink}}}|Vorlage:Cite book/Name]] | Vorlage:Cite book/Name
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| {{#if:trim|Fear of suffocation – something that I have or fear is never being able to enjoy myself, […] ’Cause I love my work so much, I find it really hard to go out and have a good time. […] I don’t go to nightclubs, […] You don’t see pictures of me falling out of a club drunk. I don’t go – and that’s because I usually go and then, you know, a whiskey and a half into it, I got to get back to work.}}
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| „{{#if:trim|Fear of suffocation – something that I have or fear is never being able to enjoy myself, […] ’Cause I love my work so much, I find it really hard to go out and have a good time. […] I don’t go to nightclubs, […] You don’t see pictures of me falling out of a club drunk. I don’t go – and that’s because I usually go and then, you know, a whiskey and a half into it, I got to get back to work.}}“
| {{#invoke:Text|quoteUnquoted| Fear of suffocation – something that I have or fear is never being able to enjoy myself, […] ’Cause I love my work so much, I find it really hard to go out and have a good time. […] I don’t go to nightclubs, […] You don’t see pictures of me falling out of a club drunk. I don’t go – and that’s because I usually go and then, you know, a whiskey and a half into it, I got to get back to work. | en }} }}
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Komposition
Telephone wurde von Lady Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin und Beyoncé Knowles geschrieben.<ref name="liner">Lady Gaga The Fame Monster (Liner Notes) Interscope Records (2009)</ref> Obwohl der Song als Duett angelegt ist, erscheint Knowles erst in einem kurzen musikalischen Zwischenspiel in der mittleren Strophe.<ref name="omh">{{#if:Vorlage:Cite book/URL|{{#iferror: {{#iferror:{{#invoke:Vorlage:FormatDate|Execute}}|}}| |}}}}{{#if:{{#if:
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Abgerufen {{#if: Vorlage:Str match|am|im}} {{#iferror: {{#iferror:{{#invoke:Vorlage:FormatDate|Execute}}|}} | 2010-03-16 }} }} }}{{#switch: en |de |deutsch |= |#default= (english). }}{{#if: | „{{{quote}}}“ }}Vorlage:Cite book/URL {{#invoke:TemplatePar|check |all = title= |opt = script-title= trans-title= author= authorlink= last= first= last1= first1= last2= first2= last3= first3= last4= first4= last5= first5= last6= first6= last7= first7= last8= first8= archivedate= archiveurl= archive-date= archive-url= url= url-status= language= format= work= newspaper= publisher= date= page= pages= id= accessdate= access-date= quote= author-link1= author-link2= author-link3=author-link4= author-link5= display-authors= author-mask= name-list-style= year= orig-year= script-title= trans-title= editor1-last= editor1-first= editor1-link= editor2-last= editor2-first= editor2-link= editor3-last= editor3-first= editor3-link= editor4-last= editor4-first= editor4-link= editor5-last= editor5-first= editor5-link= display-editors= department= type= series= volume= issue= others= edition= location= publication-date= agency= at= arxiv= asin= bibcode= doi= doi-broken-date= isbn= issn= jfm= jstor= lccn= mr= oclc= ol= osti= pmc= rfc= ssrn= zbl= via= postscript= ref= display-subjects= interviewer-given= interviewer-surname= orig-date= quote-page= quote-pages= sbn= script-quote= subject-mask= s2cid= s2cid-access= title-link= trans-quote= coauthors= offline= archivebot= |cat = Wikipedia:Vorlagenfehler/Vorlage:Cite news |errNS = 0 |template = Vorlage:Cite news |format = |preview = 1 }}Vorlage:Cite book/URL{{#if: Vorlage:Cite book/ParamBool | Vorlage:Cite book/Meldung }}{{#if: Vorlage:Cite book/ParamBool | Vorlage:Cite book/Meldung }}Vorlage:Cite book/Meldung2{{#ifexpr: ({{#ifeq:^^|^^|0|1}}+{{#ifeq:^^|^^|0|1}}+{{#ifeq:^^|^^|0|1}}) > 1 | Vorlage:Cite book/Meldung }}{{#ifexpr: {{#ifeq:^^|^^|0|1}}{{#ifeq:^^|^^||+1}} > 1 | Vorlage:Cite book/Meldung }}{{#ifexpr: {{#ifeq:BBC Online|^^|0|1}}{{#ifeq:^^|^^||+1}} > 1 | Vorlage:Cite book/Meldung }}{{#ifexpr: {{#ifeq:^^|^^|0|1}}{{#ifeq:^^|^^||+1}} > 1 | Vorlage:Cite book/Meldung }}{{#ifexpr: {{#ifeq:^^|^^|0|1}}{{#ifeq:^^|^^||+1}} > 1 | Vorlage:Cite book/Meldung }}{{#ifexpr: {{#ifeq:^^|^^|0|1}}{{#ifeq:^^|^^||+1}} > 1 | Vorlage:Cite book/Meldung }}{{#ifexpr: {{#ifeq:^^|^^|0|1}}{{#ifeq:2010-03-16|^^||+1}} > 1 | Vorlage:Cite book/Meldung }}</ref> Die Sängerin ist in einem Club und deren Freund ruft an, sie sagt: „Stop calling, stop calling, I don’t want to talk anymore.“ Telephone besteht aus einer ausgedehnten Bridge, der Strophe und einem Epilog, wo eine Stimme verkündet, dass die Nummer zurzeit nicht zu erreichen sei.<ref name="omh" /> Der Webseite Musicnotes.com von Sony/ATV Music Publishing zufolge, ist der Song in einer gewöhnlichen 4/4-Zählzeit mit einem Tempo von 122 Beats per minute. Gagas Gesang reicht vom tiefen dreigestrichenen F3 zur höchsten Note von C5. Die Grundtonart ist F-moll, das Stück hat die Akkordfolge Fm–As–B–Fm.<ref>{{#if:Vorlage:Cite book/URL|{{#iferror: {{#iferror:{{#invoke:Vorlage:FormatDate|Execute}}|}}| |}}}}{{#if:{{#if: | | {{#if: | {{#if: | [[|Vorlage:Cite book/Name]] | Vorlage:Cite book/Name }} }}{{#if: | {{#if: | , [[|Vorlage:Cite book/Name]] | Vorlage:Cite book/Name }} }}{{#if: | {{#if: | , [[|Vorlage:Cite book/Name]] | Vorlage:Cite book/Name }} }}{{#if: | {{#if: | , [[|Vorlage:Cite book/Name]] | Vorlage:Cite book/Name }} }}{{#if: | {{#if: | , [[|Vorlage:Cite book/Name]] | Vorlage:Cite book/Name }} }}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite book/Name}}{{#if:|Vorlage:Cite 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Gaga zufolge handelt es sich beim Telefon in dem Lied nicht um ein physisches Telefon, sondern um das in ihrem Kopf. Sie erklärte: {{
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}} „Das ist meine Furcht – dass das Telefon klingelt und mein Kopf klingelt auch, […] Ob es ein Telefon oder nur die Gedanken in deinem Kopf sind, das ist eine weitere Angst.“<ref name="inspire" />
Rezensionen
Telephone bekam überwiegend gute Kritiken. Michael Hubbard von MusicOMH sagte, dass der Song „möglicherweise das Beste auf dem Album ist“. Er lobte die „brillante Bridge“ und das Ende des Liedes.<ref><templatestyles src="Webarchiv/styles.css" />{{#if:20131226102632
| {{#ifeq: 20131226102632 | *
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}}{{#if:
| {{#switch: {{#invoke:Webarchiv|getdomain|{{{archiv-url}}}}}
| web.archive.org =
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| webcitation.org =
{{#if: || }}{{#invoke:TemplUtl|failure| Fehler bei Vorlage:Webarchiv: Im Parameter 'archiv-url' wurde URL von WebCite erkannt, bitte Parameter 'webciteID' benutzen.|1}}
| archive.today |archive.is |archive.ph |archive.fo |archive.li |archive.md |archive.vn =
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| {{#if: || }}{{#invoke:TemplUtl|failure| Fehler bei Vorlage:Webarchiv: Der Wert des Parameter 'archiv-datum' ist ungültig oder hat ein ungültiges Format.|1}}
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| {{#if: || }}{{#invoke:TemplUtl|failure| Fehler bei Vorlage:Webarchiv: Der Pflichtparameter 'archiv-datum' wurde nicht angegeben.|1}}
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| {{#if:
| {{#if: || }}{{#invoke:TemplUtl|failure| Fehler bei Vorlage:Webarchiv: Der Parameter 'archiv-datum' ist nur in Verbindung mit 'archiv-url' angebbar.|1}}
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|| {{#switch: {{#invoke:Webarchiv|getdomain|http://blog.musicomh.com/musicomh/2009/11/lady-gaga-the-fame-monster-trackbytrack.html }}
| abendblatt.de | daserste.ndr.de | inarchive.com | webcitation.org =
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}}</ref> Popjustice gab dem Song gute Kritik: „Es ist ein bisschen wie Gwen’s What You Waiting For? trifft Timbalands The Way I Are und dies trifft etwa fünfzig andere Sachen … Die Struktur ist ziemlich spannend … da ist etwas Brillantes in Beyoncés Beitrag, das alles sehr fein erscheinen lässt.“<ref>popjustice.com</ref>
Amy Phillips von Pitchfork Media platzierte Telephone auf Platz 55 in ihrer Liste „Top Tracks of 2010“, und sagte, dass „es einer der weniger seltsamen Titel auf The Fame Monster“ sei.<ref>pitchfork.com</ref> Mikael Woods von Los Angeles Times sagte, dass Telephone „eine sorgfältig durchdachte Betrachtung ist, wie nervig es ist, wenn ein Kerl dich ständig anruft während du in einem Club bist“.<ref>latimesblogs.latimes.com</ref>
Sarah Hajibagheri von The Times und Armond White von New York Press waren vom Song nicht beeindruckt. Hajibagheri sagte: „Der Auftritt von Beyoncés Gesang zusammen mit Klingeltönen eines Telefons unterstreicht das Gefühl des völligen Chaos.“<ref>entertainment.timesonline.co.uk</ref> Telephone wurde von Rob Sheffield von Rolling Stone auf Platz drei seiner Liste „Top 25 Singles von 2010“ platziert.<ref>rollingstone.com</ref> Die Single wurde für einen Grammy in der Kategorie „Best Pop Collaboration with Vocals“ nominiert.<ref>usatoday.com</ref>
Kommerzieller Erfolg
Chartplatzierungen
In den US-amerikanischen Billboard Hot 100 erreichte der Song Platz 3 und wurde somit Gagas sechster aufeinanderfolgender Song, der es in die Top 10 schaffte.<ref>billboard.com</ref> Im Vereinigten Königreich und in Irland erreichte der Song Platz 1 der Charts.<ref>telegraph.co.uk</ref> Auch in Norwegen, Belgien und Dänemark erreichte Telephone die Spitze der Charts. Die Top 3 erreichte der Song in Ländern wie Italien, Spanien, Frankreich, Deutschland, Österreich, Schweden und Neuseeland.<ref>ultratop.be</ref>
Auszeichnungen für Musikverkäufe
Einzelnachweise
<references responsive />
Weblinks
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<templatestyles src="BoxenVerschmelzen/styles.css" />
{{#if:Navigationsleiste Lady Gaga |Vorlage:Erweiterte Navigationsleiste/Lua{{#ifeq: 0 | 10 |
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{{#if:* The Fame
- Born This Way
- Artpop
- Joanne
- Chromatica
- Mayhem* Cheek to Cheek
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- Tony Bennett and Lady Gaga: Cheek to Cheek Live!* The Singles
- Born This Way – The Collection* The Remix
- Born This Way – The Remix
- Dawn of Chromatica: The Remix Album* A Star is Born
- Top Gun: Maverick* The Cherrytree Sessions
- Hitmixes
- The Fame Monster
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- Tony Bennett and Lady Gaga: Cheek to Cheek Live!|}}
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}}* Chillin
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Achtung: Der Sortierungsschlüssel „{{#if:Beyonce|Beyonce|[[:Vorlage:Str replace]]}}“ überschreibt den vorher verwendeten Schlüssel „{{#if:||[[:Vorlage:Str replace]]}}“.
{{#if:* Dangerously in Love
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- The Lion King: The Gift* Irreemplazable
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- Above and Beyoncé – Video Collection & Dance Mixes|}}
{{#if:|}}
{{#if:Vorlage:Erweiterte Navigationsleiste/Lua{{#ifeq: 0 | 10 |
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}}* I Got That
- ’03 Bonnie & Clyde
- Closer I Get to You
- Hollywood
- What More Can I Give
- Hollywood
- Amor Gitano
- Until the End of Time
- Love in This Club Part II
- Just Stand Up!
- Put It in a Love Song
- Telephone
- Lift Off
- Part II (On the Run)
- Feeling Myself
- Runnin’ (Lose It All)
- Hymn for the Weekend
- Shining
- Mi gente (Remix)
- Walk on Water
- Family Feud
- Top Off
- Savage (Remix)
- Delresto (Echoes)|}}
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- Wikipedia:Artikel ohne Wikidata-Datenobjekt
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- Vorlage:Navigationsleiste Alben
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- Lied 2010
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